The Association of Sculptors of Victoria is an inclusive, not-for-profit collective of contemporary artists whose purpose is to inspire,stimulate and advance the appreciation, creation, and exploration of three-dimensional art in society.

Sculptors at the 2015 Melbourne International Flower and Garden Show: Todd Stuart with Colin Walangari Karntawarra McCormack

TODD STUART
Born in 1970 in Perth, Western Australia, Tod was greatly influenced by his father (a secondary school teacher in manual arts) and spent a lot of time in his workshop, experimenting & creating in many different mediums, which he has continued to do so. 
He has been recognised & awarded prizes for his work since the age of 11 for craftsmanship to several awards from the Furniture Industry Association Australia at 17, for best design innovation crafted for leather upholstery.  He completed his study of Industrial Design at Curtin University Perth Western Australia in 1992. Initially employed as creative designer at “ARTIFEX AUSTRALIA” he introduced new innovative ranges of upholstered commercial furniture. In 1994 Todd commenced his own business “FURNITURHAUS” which focused on creating & implementing bespoke furniture designs for some of the highest profile Interior designers, Architects & projects Australia wide. In 2005 Todd gained a substantial project in the Middle East that saw him set up a new business in Dubai. His success he determines is due to his being part of the sculpture process from conception to finalisation, worthy of his final signature.  A new business initiative has arisen in which Todd has been selected to join  “MAINARTERY STUDIO” - created to collectively support & assist the promotion of high calibre sculpture artworks.  
"Dreamtime" - a contemporary representation of Aboriginal spirituality, in images of family, bush tucker, bush medicines, water holes and campsites.
This beautiful work entered in the 2015 MIFGS Exhibition exemplifies the very exciting collaboration between Todd Stuart and renowned Aboriginal painter,

COLIN WALANGARI KARNTAWARRA McCormack  - in partnership with Todd Stuart, to create Aboriginal Sculpture.
Born in 1961, Walangari is an Australian Aboriginal elder from Alice Springs who now lives and works in Sydney. He is also a talented musician and dancer, teacher and public speaker; has Bachelor of Arts and Bachelor of Education degrees and an Associate Diploma of Aboriginal Education.
Walangari has held many executive positions and been the director of various Aboriginal councils:  chaired CAAMA (first Aboriginal owned radio station); was a director of the first Aboriginal television station, Imparja; is committed to improving the lot of his people and helping to ensure the voice of Aboriginal Australia is heard.  He is an international award winning 'Central Western Desert' painter and his colourful and spellbinding works tell the traditional Dreamtime Stories of the world’s oldest living culture, he regards his art as a means of cross-cultural communication ... It was the legacy of his famous 'great-grandfather’, Albert Namatjira and the inspiration of his 'grandfather’ Clifford Possum that encouraged him to paint. 
In 1995 he painted the first prize for the inaugural Indigenous Surfing Competition sponsored by Billabong and Coca Cola; his life and paintings have been featured in many TV programmes & publications, including the “International Artist” magazine.
The Australian Museum featured Walangari in the CD ROM that they produced as part of their Living Colour exhibition in March 2000 and in 2003 he was commissioned to paint a work for the Rugby World Cup Paris Exhibition. In the same year his work featured in the annual selling exhibition Art Paris in the Carrousel du Louvre.  The National Gallery of Australia has acquired one of his early works.
With Todd's sculptural expertise, he is finally realising his Dreamtime stories:  "Art for Aboriginal people is like our heartbeat and we must continue to be artistic or we will die spiritually and lose our souls".
Todd emphasises that the creative process itself is in-depth & consumes a considerable amount of resources, skill and time, nonetheless in his deep  appreciation of the nature of Walangari's Aboriginal stories, he has been able to emulate them through the timeless nature of the quality materials used in both works ... 


No comments: